Vivids, A 35mm Mis-Exposure Set.
‘Vivids’ is a collection of some of the most vivid and colorful mis-expsoures. Highlighting the beauty and vibrancy of light.
Judge Jules and Ninja Nick in the house…
Video jockey perfomances
I had the good fortune to be able to VJ for international DJ Judge Jules when he came to the Tivoli in North Wales. Along with VJing, I was asked to handle production of a promotional video for the club featuring the night of Judge Jules’ performance.
Logo Animations
Client had a static logo they wished to be animated. Work included re-constructing the logo and various elements in order to animate. When the name changed the logo was also updated too.
35 on 35
“35 on 35″ Is a set of experimental 35mm mis-exposures, aimed at capturing the film medium onto itself.
Click below to see the full set
Ghosts of 35
‘Ghosts of 35′ is a collection of 35mm mis-exposures with a constant colour theme, reflecting on the age and relative death of 35mm film in the digital age.
35mm Film Mis-Exposures
I have started to publish a collection of my 35mm film mis-exposures. Each piece has its own unique feel and warmth. Due to the process of mis-exposing, the results are always random and surprising each time.
Click on the image above to view the entire published collections, or view the most recent collection below.
View entire collection
Kinetic Typography #1
Kinetic Typography is one of my favorite methods of displaying text sequences. This was made for a nightclub to use for their closedown period.
3.5 Hours of Cursor Tracking
A visual record of my cursor movements over a period of 3.5 hours. The big spots indicate a period of cursor inactivity, while the lines represent where the cursor moves.
Cursor Tracking Over 3.5 hours
International Strongman Champions League (ISCL) 09
A collection of stills from Production & Post Production work carried out for the ISCL (International Strongman Champions League) in 2009.
Work included live vision mixing between 2 cameras and 3 CGI sources onto a screen viewable live at the event. All the footage was captured and placed into a 47 minute program which aired on both Sky Sports and ESPN. (47 minutes equals an hour’s broadcast when on commercial television)
